Charlie chan and the curse of the dragon queen

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charlie chan and the curse of the dragon queen

Famous detective Charlie Chan (Sir Peter Ustinov) is called out of retirement to help a San Francisco Detective (Brian Keith) solve a mysterious series of.

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Again mopping up one of the features that the likes of Arrow Video and Second Sight presumably didn't want, it's Films' 'Cult' line to the dubious rescue, returning famous detective Charlie Chan to B-movie prominence. Well, maybe not Parody and homage at once, 's Charlie Chan and the Curse of the Dragon Queen the title is a misnomer, since there isn't one was an attempt by Hollywood to revive the popular franchise at its peak in the s, when getting white people to play Chinese wasn't considered as racist as it so patently is. Except famous white man Peter Ustinov now plays Chinese detective Chan here, in this updated version. But it's draped in ironic parody now, so it's fine, presumably it's not fine. In spite of the title, the real star of the show is Chan's idiot grandson Lee Richard Hatch , who aspires to follow in his famous grandpa's footsteps. By the time Ustinov's awful racist caricature arrives to give us a break, it's almost a relief.

OF all of the pre-World War II pop artifacts that have recently been resurrected and recycled by Hollywood, the most welcome by far is Charlie Chan, the inscrutable detective created by Earl Derr Biggers and brought to the screen in dozens of low-budget movies, most often in the person of Warner Oland and Sidney Toler. As much as any other public figure before Pearl Harbor, he reassured Americans of their place in the world, solving drawing room mysteries in 70 minutes or so and dispensing wisdom that came straight from domestically manufactured fortune cookies. Clive Donner's ''Charlie Chan and the Curse of the Dragon Queen,'' which opens today at the Cinerama I and other theaters, is a looselimbed, immensely good-natured entertainment that moves easily between parody and slapstick without ever doing damage to the memories of the character who, in the 's and 's, gained something of a following as a figure of camp. Peter Ustinov, who carries on the tradition of the occidental Charlie Chan in this new, big-budget movie, photographed in glorious color, plays it comparatively straight, more modestly even than Mr. Oland or Mr. Toler, and thus provides the film with a center of gravity without which the lunatic goings-on would have no point. He is very funny and deserves the year's self-effacement award.

Sign in. Watch now. When a troupe of showgirls with their impresario and press agent vacation at a Malibu Beach resort, two of them are garroted. Charlie Chan is an agent of the U. Charlie's investigation of a phony psychic during the World Exposition on San Francisco's Treasure Island leads him to expose a suicide as murder. When a former prison wardress who dominates the lives of her three adult stepchildren and her daughter is found dead at an archaeological dig near the Dead Sea, there are a great many suspects. An escaped convicted murderer hides out at a New York wax museum where he hopes to get plastic surgery, which will help him revenge himself on Charlie Chan.

Charlie Chan and the Curse of the Dragon Queen. Clive Donner 91min. PG Certificate. Review Our Score. This comedy is best viewed today as the film that introduced Michelle Pfeiffer to international audiences, and the movie that secured her the lead in Grease 2.



Charlie Chan & the Curse of the Dragon Queen (1981)

Charlie Chan and the Curse of the Dragon Queen

Famous detective Charlie Chan is called out of retirement to help a San Francisco detective solve a mysterious series of murders. With his bumbling grandson as his sidekick, Chan also encounters an old nemesis known as the Dragon Queen who is the prime suspect. Stan Burns David Axlerod. English German. Apparently even as recently as the s, white guys were still allowed - handsomely paid, even - to squint their eyes, affect broad accents, don the Fu Man Chu facial hair, and communicate as though constantly reading from fortune cookies to play unapologetic Asian stereotypes. Actually considering all the other casual racism of that decade this is hardly surprising, but still pretty offensive to look back on, even if Peter Ustinov's Chan is supposed to be the coolest character in the movie.

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